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2019 YEAR IN REVIEW


Joe Goode Solo Presentation | Art Palm Springs 2019
Exhibition Catalog | Press | Installs
(February)

Untitled, 1975
3-color screenprint on fabric, double layered, water sprayed and sewn together. Uniquely cut and torn by the artist; 20.5” x 24” (24 unique works)

Rock Paper Nature, Gemini G.E.L. at Joni Moisant Weyl, New York
(January)

Untitled, 1975 (JG75-5141)
Double-layered fabric with 2 color screen print; 28.75” x 38.5”, Ed of 23

Local: Gemini G.E.L. Collaborations with LA Artists, Gemini, Los Angeles
(February)

Untitled, 1971
Lithograph, silkscreen, 18” x 29”,
Ed of 90 (028c-JG71)

Prints I Published, Bernard Jacobson, London
(February)

Pollution-R4, 1995
Mixografia print on handmade paper, Ed of 30, 3 AP, 3 HC, Proofs 1, 12” x 15”

Duality, Mixorgrafia, Los Angeles
(June)

[Wall Street International Mag]

Moon River (MNmm 01), 1997, Oil on canvas with wooden staircase, 79” x 60” x 21.5” (overall)
Painting 36” x 34”, Staircase 42” x 43” x 21.5

25 Years, Peter Blake Gallery, Laguna Beach
(June)

Untitled (Torn Cloud A), 1973, Pastel on paper, 30” x 40”Fragments, Ulterior Gallery, New York (June)

Untitled (Torn Cloud A), 1973, Pastel on paper, 30” x 40”

Fragments, Ulterior Gallery, New York
(June)


Bo, 1962, Oil on canvas, oil on glass, 72” x 72”Dilexi Gallery: Disparate Ontologies, Landing Gallery, Los Angeles (June)

Bo, 1962, Oil on canvas, oil on glass, 72” x 72”

Dilexi Gallery: Disparate Ontologies, Landing Gallery, Los Angeles
(June)

Dilexi_2019_theLanding_01, Joshua White.jpg
Dilexi_2019_theLanding_09 by Joshua White.jpg

PRESS

L.A. Times
KCRW (1)
KCRW (2)
Independent HQ
Contemporary Art Review
Installation video


Cataract Arrest, 2011-12, Acrylic on archival digital print, 96” x 144

Vitamin L: The Disruption of Color in Contemporary Landscape, Pan American Art Projects, Miami
(July)

Drive By, 2011, Mixed media on handmade Japanese paper, 8.75 x 8.75

It's All Black & White, Frederick R. Weisman Museum at Pepperdine, Malibu
(August)

Untitled (Commissioned Work) [Blue], 1979, Oil on canvas (in 3 parts), 60 1/2” x 127 1 /2”

Made in California, Frederick R Weisman Art Foundation, Barrett Art Gallery, Santa Monica
(August)

Air Tears Untitled 11, 2011, Acrylic on archival foamboard, 42” x 38”

The Edge of Light, Huntington Beach Art Center, Huntington Beach
(September)

Day 4, 2002, Oil on canvas, 78” x 72”

Made in California (Wayne Shimabukuro), RAFFMA at Cal State University San Bernardino
(October)


Architectural Digest, July:Aug 2019, Maria Sharapova.png

Architectural Digest, July/August, Photography by Douglas Friedman, more


Torn Sky Painting 1, 1971, Oil on canvas board, 18.75 x 71.75Japan Is America, Fergus McCaffrey, New York (October)

Torn Sky Painting 1, 1971, Oil on canvas board, 18.75 x 71.75

Japan Is America, Fergus McCaffrey, New York
(October)

Forest Fire painting 82, 1984, Oil on canvas, 48 x 138L.A. on Fire, Wilding Cran Gallery, Los Angeles (November)

Forest Fire painting 82, 1984, Oil on canvas, 48 x 138

L.A. on Fire, Wilding Cran Gallery, Los Angeles
(November)


Ocean Blue L1 (State 1) (Color Trial Proof #12), 1990, Lithograph, 22 x 16

Ocean Blue L1 (State 1) (Color Trial Proof #12), 1990, Lithograph, 22 x 16

 
Joe Goode & Ed Ruscha, Yesterday's Treasures, 1989, Lithograph Ed. 40, 27 x 36

Joe Goode & Ed Ruscha, Yesterday's Treasures, 1989, Lithograph Ed. 40, 27 x 36

Joe Goode & Ed Ruscha, Yesterday's Treasures, Galerie Thomas Zander, Cologne, Germany (November)


Joe Goode, Environmental Impacts, Leslie Sacks Gallery, Santa Monica (October)


Tate Papers, Whatever Happened to the Frontier? Performing Provincialism in Post-War Los Angeles, by Lucy Bradnock