| Press |
|
Online Articles and Video
Printed Articles and Interviews 1962 Coplan John, "The New Paintings of Common Objects.” Art Forum, Volume 1 (October 1962), pp. 26-30. (with illustration).
1963 Leider, Philip, “California After the Figure”, Art in America, October 1963, pp. 73-79.
1966 Leider, Philip, “Joe Goode and The Common Object”, Artforum, March 1966, pp. 24-27.
1967 Lucie-Smith Edward, “London Commentary.” Studio International, June 1967. (with illustration).
1968 Selz, Peter with Wilson, William, “For Defectors to L.A.”, Art in America, March-April 1968, pp. 100-104.
1969 Linvingston, Jane, “Los Angeles”, Artforum, January 1969, p. 69. 1970 Price Libby, “Artists Unpack CAF Show.” The Oklahoma Journal, April 18 1970, p.9. Sobel Rebecca, “Ham Cans Forever Altered.” Citizen News, July 18 1970, p.4.
1971 Plagen, Peter, “Los Angeles”, Artforum, February 1971, p. 91. 1973 Melville Robert, “Illusory.” Unnamed Publication, No Exact Date, 1973. Day Owen, “California Pop Products Shows His Art Work.” The Fort Worth Press, January 19 1973, p.19. Kutner Janet, “The Sky Is No Limit for Joe Goode Work.” The Dallas Morning News, February 4 1973, p. 6C Freed Eleanor, “Low Key Phenomena.” The Houston Post, March 4 1973. Holmes Ann, “Crisp New Art Snaps And Crackles – It’s Pop.” Houston Chronicle, March 6 1973. From a conversation with Henry T. Hopkins, “Bensgston, Grieger, Goode: 3 Interviews”, Art in America, March-April 1973, pp. 48-53. Bates Meretes, “California/Matisse exhibitions in Shetfield.” The Guardian, April 10 1973. 1975 Stein, Donna M., “New Editions”, Artnews, January 1975, P. 62. Overy Paul, “Portrait of the Artist at Home.” The Times, July 15 1975. Shepherd Michael, “Joe Goode Felicity Samuel.” Arts Review, July 25 1975. 1976 Berges Marshall, “Joe Goode- He Competes With Himself To Make Art Original and Exciting.” L.A. Times Home Magazine, October 24 1976, p.34. 1979 Twardy Chuck, “Contemporary Art Exhibit Brings Together Boyhood Pals.” Sentinel Newspaper, 1979, p.F-3 1982 Rickey Carrie, “Studs And Polish: L.A. In The Sixties.” Art In America, January 1982, p.81-89. Knight Christopher, “How Painter Joe Goode Unpeels Vision.” Los Angeles Herald Examiner, January 10 1982. Kutner Janet, “LA Art Doesn’t Miss A Beat.” The Dallas Morning News, January 22 1982, p.2C. 1983 “Destroy to Create”, Forth Worth Star-Telegram, April 7 1983, p. 5D. Kutner Janet, “Preview.” The Dallas Morning News, April 8 1983. 1984 Glueck Grace, “Joe Goode and Marsha Burns.” The New York Times, Mar. 23 1984, p.C18. Muchnic Suzanne, “The Galleries.” Los Angeles Times, Mar. 30 1984. P.14. 1986 Harper, Hilliard, “Look Through Good’s Art for Meaning.” Los Angeles Times, Jan. 4 1986, p. 1+. Hemmerdinger, William, and Hemmerdinger, Catherine, Artscene, Jan. 1986. 1988 Huneven, Michelle, “Joe Goode: Inspired By The Elements.” Angeles Magazine, Dec. 1988, pp. 46-47. 1989 Brandenburg, John, “Three-Man Show to Open at Art Museum.” Daily Oklahoman, 1989. Artner, Alan G., “Goode’s ‘Ocean Blues’ a Rich Panorama.” Chicago Tribune, May 19, 1989. Berger Eric, “Oklahomecoming for Three Art Luminaries.” Jules Of Oklahoma, Summer 1989, p.9. Wilson, William, “Triumph of the Visual.” Los Angeles Times/ Calendar, Jul. 16, 1989. Davis, Chuck, “Story Behind Three Artists’ Exhibit as Good as the Paintings.” The Daily Oklahoman, Jul. 28, 1989. Hommel, Bill, “Artists’ Works Reflect Important Styles of Past 20 Years.” Oklahoma Gazette, Aug. 2, 1989.
1998 “Bright Spots.” Los Angeles Times, July 3 1998, p. F27. Duncan, Michael, “Joe Goode at L.A. Louver”, Art in America, Nov. 1998, p. 139. 1990 Lazzari, Margaret, “Interior Perspectives Joe Goode at James Corcoran.” Artweek, Feb. 1, 1990, p.p, 15-16. 1991 Clothier Peter, “Joe Goode.” ArtNews, April 1991, p.168, 170. 1992 Sullivan Meg, “Goode’s exhibit is highly twisted”, L.A. Life Weekend, June 19. Snow Shauna, “A Whirlwind of a Project at LACMA”, Los Angeles Times, June 20 1992. Wilson William, “Tornado: A Feast for the Eyes.” Los Angeles Times, June 20 1992. Beller, Miles, “Delicious Eloquence. Joe Goode at LACMA and James Corcoran Gallery.” Artweek, Aug. 6 1992.
1994 Turner, William, "So Goode.” Venice Magazine. (January 1994), pp. 79-81. Wilson William, “Two Masters See Purity From Different Perspectives.” Los Angeles Times. January 14 1994, p.F28. Crowe John, “Exhibit Teems With Tornadoes.” Record Searchlight, August 26 1994. 1997 Brown Stacy Noelle, “Doing Goode Work”, 72 Hours, January 17 1997. Joyce Julie, “Joe Goode”, Art Issues, March/ April 1997, p.41. Knight, Christopher, “A Vision Exam From Joe Goode.” Los Angeles Times, January 28 1997, p. F1+. Ollman Leah, “Seeing Through Nature”, Art In America, October 1997, p.90-95. 1999 Karlstrom, Paul, Archives of American Art, Smithsonian Institution, Jan. 5, 1999.
2000 Pagel, David, “Thrilling Images Of Nature Throw Caution Of The Wind”, Los Angeles Times Art Reviews, p.F18. Frank, Peter, “National Reviews”, Art New, Nov. 2000, p. 213.
2001 Goldner Liz, “Tale Of Two Artists”, OCM, December 13 2001, p.9. Karlstrom, Paul, Archives of American Art, Smithsonian Institution, Apr. 10, 2001.
2002 Frank, Peter, “Joe Goode, Robert Kingston”, LA Weekly, March 8-14, 2002.
2003 French, Christopher, Art News/ National Reviews, Feb. 2003, p. 132. 2005 Goldman, Edward, “Unanswered Questions for the Getty”, Art Talk/KCRW, January 25, 2005. Frank Peter, “Joe Goode: X-Ray Drawings at Manny Silverman Gallery”, Art On Paper, May/ June 2005, volume 9 Number 5, p.80. Frank Peter, “Robert Dean Stockwell, Joe Goode, Edmund Teske”, L.A. Weekly, September 16-22 2005. 2006 Dagen, Phillipe, “Artistes Ludiques de Los Angeles (Playful Artists in Los Angeles)”, Le Monde, March 12-13, 2006, p. 22.
2008 O’Connor, Anne-Marie, “After the fire, Joe Goode Finds a New Passion”, LAtimes.com, May 4, 2008. O’Connor, Anne-Marie, “Igniting His Passion”, Los Angeles Times Arts & Music Calendar, May 4, 2008, p. F1+. Collins, Aaron, “For Goode, Bad Studio Fire Unlocks Seeds of Creative Potential”, Lifestyle, May 2008, pp. 42-46. Christopher Knight, “Giorgio Morandi Meets Joe Goode”, Culture Monster, LAtimes.com, Oct. 29, 2008. “Joe Goode: No Bed of Roses”, On The Cover, Gallery Guide West, Dec. 2008, pp. cover, 10-11.
Catalogues
1968 Joe Goode Edward Ruscha. Balboa Pavilion Gallery, Balboa, CA. Foreward by Mason Williams. Acknowledgment by Betty Gold. Text by Henry T. Hopkins.
1976 Joe Goode/Recent Work. Washington University Gallery of Art, St. Louis, Missouri. Text by Graham W. J. Beal.
1984 Frederick R. Weisman Foundation Volume One. Frederick R. Weisman Foundation, Los Angeles, CA 1984. Introduction by Frederick S. Wight. 1989 Joe Goode, Jerry McMillan, Edward Ruscha. Oklahoma City Art Museum, Oklahoma City, OK. Introduction by Henry T. Hopkins. Essays by Sue Scott.
1990 Joe Goode Waterfall Paintings. James Corcoran Gallery, Santa Monica, CA. Text by Nora Halpern Brougher.
1991 Joe Goode Selected Paintings on Paper from 1977. James Corcoran Gallery, Santa Monica, CA. Twisters. Creative Works Editions, Osaka, Japan. Text by David Pagel. Pop Art. Royal Academy of Arts, London, England. Museum Ludwig, Cologne, Germany. Centro de Arte Reina Sofia, Madrid, Spain. Edited by Marco Livingstone. Contributions by Dan Cameron, Constance W. Glenn, Thomas Kellein, Marco Livingstone, Sarat Maharaj, Alfred Pacquement, Evelyn Weiss.
1993 Joe Goode “Tornadoes”. Soma Gallery, San Diego, CA. Essay by Peter Frank.
1997 Joe Goode. Orange county Museum of Art, Newport Beach, CA. Acknowledgments by Naomi Vine. Appreciation by Edward Ruscha. Text by Michael Duncan. Collaboration/Transformation Lithographs From the Hamilton Press. Montgomery Gallery at Pomona College, Claremont, CA and Fred Jones Jr. Museum of Art at The University of Oklahoma, Norman, Ok 1997-1998. Foreward by Marjorie L. Harth and Thomas R. Toperzer. Text by Dave Hickey, Ed Hamilton, and Rebecca McGrew.
1998 Joe Goode Works on Paper 1960-1973. Manny Silverman Gallery, Los Angeles, CA. Forward by Manny Silverman.
2000 Joe Goode. LA Louver, Venice, CA. Introduction by Dave Hickey.
2001 Joe Goode The Cloud Paintings. Mannny Silverman Gallery, Los Angeles, CA. Text by Michael Duncan. Acknowledgments by Manny Silverman.
2006 Los Angeles 1955-1985 Birth Of An Art Capital, Centre Pompidou / Panama Musees, 2006: p. 379.
2007 If Everybody Had an Ocean; Brian Wilson, an Art Exhibition, Tate St Ives, 2007.
2008 The Left Coast. Imago Galleries, Palm Desert, CA 2008. Foreward by Leisa Austin, Essay by Peter Frank. Foreword by Leisa Austin. Time & Place: Los Angeles 1957-1968. Moderna Museet and Steidl, Stockholm, Sweden 2008. Text by Lars Nittve and Cecile Whiting.
General Book References
Frederick R. Weisman Art Foundation Collection. Los Angeles, CA: Frederick R. Weisman Philanthropic Foundation, pp. xxv, 234-235. De Salo, D., Schimmel, P., Ferguson, R. Hand Painted Pop. New York, NY: Rizzoli, 1992: pp. 226-227. Krull, Craig. Photographing the L.A. Art Scene 1955-1975. Santa Monica, CA: Smart Art Press, 1996: pp. 13, 34, 56-64. Davis, M., Kelley, M., Hockney, D., Hackman, W., Nittve, L. Sunshine & Noir. Louisiana, Denmark: Louisiana Museum of Modern Art, 1997: pp. 16-17, xxxI, 224. Barron, S., Bernstein, S., Fort, I.S., Made in California Art, Image, and Identity, 1900-200. Los Angeles, CA: Los Angeles County Museum of Art, 2000. Berkeley, Los Angeles, London: University of California Press, 2000: pp. 202, 204-205, 212-213. Hayes, Kenneth. Milk and Melancholy. Toronto: Prefix Institute of Contemporary Art, 2008: pp. 52-56. Bader, G., Darling, M., Mangini, E. Target Practice: Painting Under Attack 1949-78. Seattle, WA: Seattle Art Museum, 2009: p. 65.
Special Projects and Limited Editions
Domain. San Francisco, CA: Invisible City/Red Hill Press, 1986. Works-in-progress by G.T. James & Paul Vangelisti. Photographs by Joe Goode. Tree. Palos Verdes Estates, CA: If Publishing. Photographs by Joe Goode. Poem by Brooks Roddan. Forward by Fred Dewey. Edition of 250. Joe Goode: Storm Trees. Santa Monica, CA: Jacob Samuel, 1987. First Edition 1/8. 4to. Linen Over Boards, Slipcased. Artists' Book. Fine/No Jacket - As Issued. np (36pp), 12 white ground aquatints.
|